Monday, May 9, 2016

Remembering Dr. Russell P. Getz and Recent Thoughts on NAfME

Thirty years ago, today, May 9th 1986, I lost one of my first great mentors in music education, Dr. Russell P. Getz. Dr. Getz had recently finished his 2 year tenure as MENC (now NAfME) president, and in the Spring of 1986 was on sabbatical researching the music of his beloved Ephrata Cloisters. Our time together was relatively brief, yet he was, and is, a profound influence.  To teach music, to him, was a form of activism, and I recall one of his stories about a music educator who would say, "you fight for your program until your head is bloody (figuratively speaking), then you come out, clean up, and you go right back in and fight again."

Getz was a man of passion for music education, who spoke his mind, and did not suffer fools gladly. Before, during, and after his tenure as MENC president, he pushed for expanding curricula beyond performance; searching for ways to reach more students, to give them a greater say in the classroom, and to strengthen teacher education programs. Getz also sought ways to incorporate then budding music education technologies and the use of electronics.  I vaguely recall some rather primitive theory exercises on an Apple IIe, yet we were caught up in his enthusiasm for being on the "cutting edge."

Finally, Getz believed that if you were going to be an activist on behalf of your students and music education in general, you needed to be an active member in local, state, and national organizations. We all joined MENC our first year and I've remained a member since.

"Active," though, is another story.  I pay my dues, go to conferences from time to time, submit proposals to present, and send students to state festivals, but is this enough? Can I/should I do more? It is a strange coincidence that I find myself reflecting upon Dr. Getz at the same time our NAfME board is confronting allegations its executive director made comments about a lack of diversity in our leadership that, if true, were ill-informed and frankly, thoughtless. I hope our board will be open about sharing exactly what was said, and why he apparently left the meeting.

Keep in mind, we vote for our organizations' presidents:  local, state, divisional, and national. Part of the diversity issue comes from a degree of membership apathy, no? I can't tell you when I last took the time to read a bio on who was running for national office. It's also been awhile since I cast a vote for NAfME president. NAfME is like a distant planet to those of us teaching on the public school assembly line, just trying to keep our programs afloat and vital. Many of us see and teach over 200 students per day, everyday. Like unions, we pay our dues and expect our leadership to lobby and represent us. Then we largely ignore them until we need them.  As with any elected body, they tend to reflect the membership who vote.  This is not an excuse, just the reality I see.  Perhaps it is different elsewhere. That would be heartening.

Meanwhile, if we are keeping even one eye on the ball, it should be apparent, that the increasing diversity of our country is not reflected in the makeup of NAfME, and that this is a problem. I am angered by the alleged comments/actions of our executive director and by the lack of diversity on our board, but I am equally troubled by a membership that seems either surprised by this, or is largely unaware. Why do we, as in so many areas of public life, wait for the inevitable flash point before we react to the larger problem?  I attended the NAfME conference in October and was horrified at the presentation by a keynote speaker, Allen Vizzutti.  Then I looked around at the audience applauding him and understood. I spoke to this soon after the event on Facebook.  For me, his talk was as much an affront to diversity as Butera's alleged comments, but went mostly unnoticed, despite my efforts to get the word out. If Vizzutti's talk was not vetted, it should have been, but the positive reception he received from so many fellow members is troublesome and a wake up call.

My mentor, Russell Getz, decried what he felt was too passive a membership and advocated for ways to encourage participation and advocacy at all levels. Apparently, we have a ways to go, but perhaps this is a call to action. We can look to the board for answers and ownership of the problem, but as members we should look to ourselves as well.  Don't just join the organization, be the organization. Speak up, write letters, by all means get involved, run for office, especially encourage those you feel would bring a new voice to do the same, and most importantly, be informed and vote!

Sunday, May 3, 2009

MY FINAL AND FINAL THOUGHTS FOR CLASS

In writing this entry, I am both reflecting on the class and considering its implications for my practice. Contained within as well are what I consider ongoing projects which will continue long after posting for this class has ended.

When I signed up for Digital Media in the Classroom, I was struggling to get a class blog off the ground in the school where I teach. I felt it important to find out more about how blogging works, to understand better its influence in the lives of young people, and the potential obstacles/challenges for implementing a class blog in a public school setting. What follows are a few of my observations.

First, I came to understand there is more to blogging than simply writing out your thoughts and responding to those of others. There is a rich amount of information and support online for those who choose to seek it out, and it is (I feel) part of the blogger's responsibility to make these connections visible to others. Robin's site is a great example of this, as are some of those I have bookmarked on my own blog.

Second, I see how easy it is to set up and work with a blog. They seemed rather intimidating when just viewing them - I had little idea the templates were already in place and I had merely to "upload".

Third (and this is very important to my goal of creating a "Band Blog"), keeping up a blog is work. One has to keep it relevant, up-to-date, and in the public eye. One has to draw others to it. At the moment, I am one of the few at work to consider the use of a blog for my students. In that sense, the novelty is a draw. Students will come to me because there is no competition. What will happen when several of their teachers are keeping up blogs for their classes? How will I keep my blog relevant, so that it attracts the kind of traffic that makes it useful to the class? The challenge is devoting enough time to its upkeep without impacting other responsibilities. It may well be I will need to enlist the help of students. After all, it is their band, therefore their blog. Also, they are the true digital natives and what may take me some time or thought, they may take care of in much less time, freeing me to concentrate on my strengths.

Forth, there is continued skepticism as to the use and value of blogging in my school. We have invested in software to make class blogging possible. I was strongly in favor of this technology. Now that we have it (bundled within our new district website) there seems no rush to encourage its use or even acknowledge its existence. Our filtering system operates with a lack of trust in both students and teachers by blocking access to all blogs outside the school website. The degree to which this isolates our classrooms is a continued challenge we must overcome.

Each of these points have been informed by my work on this blog, readings for class, my own outside experiences such as the YouTube Symphony, and reading and responding to others' blogs. My experience as a blogger is just beginning. To consider my blog a final project is to consider a journey that is just beginning, and will long be in the process of becoming.

As my target audience is ultimately my students, I will now focus my energy on my students' Band Blog and Class Page. Consider this my ongoing project if you will. It is very much in its formative stage, as students are only now receiving their log in passwords and I only just have my head around blogging, rss feeds, podcasting, vlogging, and the like. I do hope to have it running, with their input and ideas, by the end of this year and ready to go from day one in September.

For me, web 2.0 is a gateway to a community of ideas, online interaction and conversation, and community-built knowledge bases. I imagine it is at least that to the digital natives I teach. How to properly bring that vast resource into the classroom as a tool to enhance learning, to open up spaces for dialogue, to increase the capacity for a community like band define itself, is a goal I will continue to pursue. Hopefully, I can aid those in my academic community to see it not as a threat to their way of teaching, or an impediment to student attention and learning, but as I have described it: a means to support community-based learning, and of sharing and building knowledge together. That would be a great way to define "Band".

Saturday, April 25, 2009

MY FIRST VIDEO!

This is my first attempt at posting video - it offers a very brief reflection on what I have learned in this class.

Friday, April 24, 2009

YouTube Symphony Observations

Sorry I didn't get this up sooner, but I did survive the YouTube Symphony experience and live to tell about it. Once again, good old Carnegie Hall succeeds in making Lincoln Center look old and stodgy.

First off, one had to notice the variety of attendees to this concert. Not your typical Carnegie Hall crowd. Second, Carnegie was very relaxed about cameras (without flash) and video cameras. As can be evidenced by a search on YouTube, a number of people posted highlights of their experience. Knowing that in advance, I would have brought my Flip Video Recorder. Check out this example: YouTube Symphony Highlights

The performance itself ran the risk of being gimmicky, and why not? It was something that in concept was new and untested. Overall, the orchestra played very well, and if the interaction with technology during the performance was rather basic, (video interludes, some lighting effects, a beautiful integration of a Bach solo cello work with YouTube video accompaniment called Women in Art, and one work by Mason Bates, which I loved, that incorporated electronics with the orchestra, Warehouse Medicine), it was the thought behind the experience. To think that interactions on the web could result in bringing an orchestra together for three rehearsal days and one concert is quite impressive. A number of the members had other day jobs or otherwise pursued music as an avocation. One physicist from Columbia could be found in the bass section. As he put it, it was great for YouTube to choose classical music rather than the "YouTube Basketball Team". Just consider the implications for bringing musicians together to perform who have similar interests.

YouTube posted the entire concert in two sections on their site under YouTube Symphony. I do wish they would break the concert down into smaller portions and post them with an "HQ" option. Hopefully, that is underway.

I heard a report in the Fall on NPR that takes things some steps further: online collaboration in composition. Musicians get together online and work, often at great distances, together on a composition. Other variations on this theme include musicians sending work to one another and collaborating on the development and editing process, often resulting in a finished work quite different than anyone anticipated. See NPR's Music and Technology Series for a wealth of ideas. You could be lost there for days.

For a more detailed examination of the Carnegie Hall performance, see my colleague and friend, James Frankel's blog - he took the whole family. YouTube Symphony Review

Thanks to Robin for posting a link to the New York Times Review.

Looking forward to seeing everyone on Saturday!

Sunday, April 12, 2009

YOUTUBE SYMPHONY

On Wednesday, April 15th, at Carnegie Hall, the YouTube Symphony will make its performance debut. I find this venture fascinating because the web has the potential to bring musicians together in non-traditional ways. Of course not every group can book Carnegie Hall, but what is to keep someone from saying, "I love 20th century chamber music, if you do as well and live in the NYC area, post your CV, let me know what you'd like to play, and perhaps we can put a group together and look for a performance venue". I know this sounds rather "pie in the sky" without Michael Tilson Thomas, Carnegie Hall, and YouTube to back it up, but it does open the door to new ways of gathering like-minded musicians together to make music!

Facebook fatigue

Just got in from 6 days in Maryland at my folks with limited internet use. Will keep this brief as I have "little ones" to greet at 8am.

Found this article while I was away on people with "social networking fatigue".

What I took from the article is the following -

Social networking isn't going anywhere, BUT some people are finding they do need a break from Twitter, Facebook, Blogs, and the like.

I recall a college friend and I having a spirited debate about 13 years ago concerning the internet and its potential for revolutionizing communication. At that time he was, and still is, working in information technology. He was convinced that once technology worked out the kinks, an online conversation would be just as meaningful as a face-to-face conversation. I argued, much like the managing director at the end of the article, that there is something unique and special in live human contact. Body language, expression, and tone can only truly be experienced face-to-face. Technology can come close and may certainly help in bringing people together, but humans still appear to crave interacting "in person".

Is it possible some young people are discovering this as well, once the rush of gathering 600 "friends" is over? I don't think they/we can do without web 2.0, but I do believe they will continue to redefine its role in their/our lives.

As a teacher who looks to incorporate this into teaching, I want to make use of this technology, because I think it opens up untapped paths of communication, yet I don't want to contribute to fatigue. In other words, I don't want students to see a band blog "as yet another thing I have to check everyday". Admittedly, I am in a minority among my teaching peers as most don't use blogs, but imagine if every class set up a blog, would students grow tired of checking them all AND keeping up with their Facebook page, etc? Some of my students have 9 classes! What would make my blog more worthwhile to contribute to than another?

I'm just thinking out loud after many traffic-laden hours in the car and am certainly open to feedback. Thanks!!

Monday, April 6, 2009

I am away!

I am on Spring/Passover/Easter break, and weather permitting, I am flying south today and will be away until Sunday. Will try to check posts/email, but will not be available for the April 7th online meeting. Hopefully, I have posted plenty of food for thought and will be sure to check out the Adobe Connect session if it is posted. Thanks!